Roger Boulay | Periphery
Opening Reception | Friday, November 8 | 6pm
On view November 8 – January 4, 2020
From the Artist:
Debased: Defunct and repurposed US military sites
I made this group of photographs at former US military sites. My interest in these places stems from questions about how place can have a memory. The notion of a palimpsest –the site of a text effaced and then written over again while traces of the previous text still remain– is central to my work. In searching for this metaphor in locations in Minnesota and other states, I have found that there are many more former military sites than we might realize. The military’s history and presence is woven into our cultural fabric in so many strands that are only partially visible.
Many of the places I have visited were previously or are currently environmental disasters. Soil and water are contaminated. Exposed asbestos remains in existing structures. In discovering this frequent common characteristic, the work holds an inherent critique of how our institutions treat the land. So often we seem to ask, “What can this land be used for?” in the most immediate sense of the phrase, when other questions like “What is our relationship to the land?” are increasingly vital now that we have entered the anthropocene era.
I try to make photographs that speak to the predominant characteristics of each site. I research these elements before visiting a location to try to understand how they came to be at that specific place. For example, I photographed flowers, plants and grasses at the Medewin Tall Grass Prairie, which used to be the Joliet Army Ammunition Plant. What once was a monoculture of concrete and explosives is now a complex polyculture of perennials. A former radar base in Finland, Minnesota still contains several dozen former residencies with remnants of a particular family’s taste and lifestyle. It is ironic that at a former military site, an institution that demanded extreme conformity, structures still bear markers of individuality and identity.
Many of these sites are located in rural communities that evolved because of the presence of a military base. When the based closed down, it left a huge economic and cultural void in the community. However, the physical space and structures of the base still loom over these towns. I navigate this dialectic of presence and absence within the photographs in an attempt to describe distinctly American characteristics of community, land use, home and institutional history.
This activity is made possible by the voters of Minnesota through a grant from the Southeastern Minnesota Arts Council, thanks to a legislative appropriation from the arts & cultural heritage fund.
About the ROOTED Exhibition Program
Rochester Art Center has initiated a regional art exhibition series in which artists who are awarded Southeastern Minnesota Arts Council (SEMAC) emerging artist and advancing artist grants may exhibit their work at RAC in the third floor galleries. Five artists were successful in receiving the first series of grants in this new venture and began exhibiting starting in October 2018: Katya Roberts, Alessandra Sulpy, Debra D’Souza, Jon Allen and Simon Huelsbeck.